AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |
Back to Blog
Hands like ouses full discography list3/20/2023 ![]() ![]() This is re ally no different on their latest, the eponymous Hands Like Houses EP, which arrives on Friday, Octothanks to UNFD.Ĭonceptually, the collection-which was created over a swift 10-day period-allows Woodley to get vulnerable while he explores the many collisions of life. Back home, ARIA success followed as the five-piece band garnered themselves critical acclaim, sold-out tours, and a dedicated legion of global fans.īlending Pop Rock sensibilities with he avier influences, Hands Like Houses-Vocalist Trenton Woodley, Guitarists Matt Cooper and Alexander Pearson, Bassist Joel Tyrrell, and Drummer Matt Parkitny- has created their own unique style of Alt Rock th at amalgamates sing- along worthy melodies, c atchy riffs, funky bass-lines and atmospheric synths. , establishing the band as a solid contender on the scene. 2 on the Billboard Heatseekers Chart, and was followed by 2013’s Unimagine, 2016’s Dissonants, and 2018’s Anon. Their 2012 full-length debut, Ground Dweller, peaked at No. ![]() The dynamic power ballad "Knife Through Butterfly Heart" and haunting, orchestral title track offer welcome changes of pace, but Under the Midnight Sun is sorely missing a sleazy, chest-beating arena-rock anthem a la "New York City" or "Wild Hearted Son." This is a stately, dependable, grown-up rock album made by 40-year veterans - certainly a worthy addition to the Cult catalog, but lacking the energy and eccentricity that made the band so compelling in its prime.Canberra, Australia’s Hands Like Houses has been making melodic music for just over a decade now. It all sounds terrific from a technical standpoint, but too often, Under the Midnight Sun gets stuck in one gear, abounding with galloping, midtempo grooves and oddly restrained choruses. Astbury, in particular, seems either unwilling or unable to unleash the ferocious, lusty howl heard on classics like "Fire Woman" and "Lil' Devil," and even late-career cuts like 2012's "Honey From a Knife." Album opener "Mirrors" and lead single " Give Me Mercy" soar thanks to these glistening six-string showcases, conjuring the yearning, melancholy grandeur of Love cuts like "Nirvana" or "Rain." Astbury remains as cryptic as ever, imploring listeners to " Watch the butcher's knife / In his trembling hand / The end of a species / The shimmering veil." Duffy covers a vast sonic terrain, dishing out crunchy rock 'n' roll chords and cavernous single-note leads in equal measure. Producer Tom Dalgety ( Pixies, Ghost) gives the LP a crisp, nervy sheen, allowing cymbal crashes, propulsive tom rolls and nimble bass lines to bend the listener's ear without obstructing the band's chief melodic duo. ![]() It was an incredible moment."Īcross its eight tracks, Under the Midnight Sun evokes this ethereal phenomenon via Duffy's shimmering, reverb-washed guitars and Astbury's gravelly, vibrato-laden baritone. "There were rows of flowers at the front of the stage from the performances earlier that evening. "People are laying on the grass, making out, drinking, smoking," Astbury recalled. The album title was inspired by the band's 1986 performance at Finland's Provinssirock festival, where they basked in the titular midnight sun during summer when the sun doesn't set north of the Arctic Circle. ![]() On Under the Midnight Sun, their 11th album and first since 2016’s Hidden City, the Cult incorporates both sides of this musical duality, with Astbury's esoteric musings getting a slight edge. This musical yin and yang resulted in a triptych of classic albums - 1985's Love, 1987's Electric and 1989's Sonic Temple - that ran the gamut from goth rock to quasi-glam metal, and it showed the Cult’s ability to adapt to changing musical trends without becoming beholden to them, keeping fans on their toes all the while. For nearly 40 years, the West Yorkshire band's driving creative force has been the push and pull of singer Ian Astbury's post-punk spiritualism and guitarist Billy Duffy's arena-rock histrionics. The Cult has always defied easy categorization. ![]()
0 Comments
Read More
Leave a Reply. |